Paintings of the great masters are among the most beautiful human artifacts ever produced. They are treasured and admired, carefully preserved, sold for hundreds of millions of dollars, and, perhaps not coincidentally, are the prime target of art thieves. Their composition, colors, details, and themes can fascinate us for hours. But what about their outer shape---the ratio of a painting's height to its width?
In 1876, the German scientist
Gustav Theodor Fechner studied human responses to rectangular shapes, concluding that rectangles with an aspect ratio equal to the golden ratio are most pleasing to the human eye. To validate his experimental observations, Fechner also analyzed the aspect ratios of more than ten thousand paintings.
We can find out more about Fechner with the following piece of code: