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Designing Jigsaw Puzzles with *Mathematica*

June 28, 2012 — Vitaliy Kaurov, Academic Director, Wolfram Science and Innovation Initiatives

I was browsing *Mathematica* user communities for original projects and came by the following question: “How can I calculate a jigsaw puzzle cut path?” Such creative problems are in abundance at our user forums, the Wolfram Demonstrations Project, and *The Mathematica Journal*, which tells me that *Mathematica*, at its heart, is a conduit for creativity: it’s a programing language that likes the challenge of convoluted problems and inspires elegant, often unexpected solutions.

In its essence, a jigsaw puzzle is a tiling or tessellation, which means there are no gaps or overlaps between the pieces. Moreover, every piece is unique and has a definite place in the puzzle. Uniqueness is achieved by making a piece be a part of a large image, have a specific shape, or a combination of these. There are many approaches to producing such patterns. For instance, this single mathematical formula from our graphics examples produces a beautiful tessellation:

However, since this question was asked on *Mathematica* Stack Exchange, a young, modern technical Q&A site, it was very specific in accordance with the community rules. Here are the author’s requirements:

- All pieces must be unique to preclude placing a piece in the wrong spot.
- Pieces must be interlocking such that each piece is held by adjacent pieces.
- It must be possible to generate different paths (sets) for a specific shape that are not merely rotations or reflections of the first.

Additionally, the author of the question notes that he seeks original designs alternative to typical mass-produced shapes.

The question grabbed my attention. At first I thought that if we want to recreate interlocking parts and non-standard shapes and guarantee a perfect tessellation, the task could be a bit elaborate. Yet as it often happens with *Mathematica*, a solution was right around the corner.

First we start with a tessellating tiling producing more or less unique shapes. A Voronoi diagram (or Dirichlet tessellation) is a good start because it can be constructed on a set of random points. This will guarantee uniqueness of shapes with high probability. We could use the Computational Geometry Package to build a `VoronoiDiagram`, but there are other perhaps less known ways worth sharing. For example, from an image processing angle this can be achieved with the `DistanceTransform` function. But perhaps the simplest way is using *Mathematica*‘s native graphics functions, such as `ListDensityPlot`.

Such graphics objects consist of graphics primitives and their options. Here Voronoi cells are represented by the `Polygon` function; this is a typical element:

Use `InputForm[gr]` to see the complete structure.

The next step is to replace the sides of these polygons with interlocking parts. These can be achieved with splines. In addition to two endpoints of a polygon side, we need to provide three more points: a midpoint to mark where the interlocking part is and two extra points to wrap the spline around. Varying point positions and spline parameters, we can design an interlocking part in a shape we like. Try this with the interactive CDF (Computable Document Format) below:

Dragging locators of endpoints in the app above will frequently flip the lock direction. This emphasizes that for every pair of points, the lock orientation will be chosen randomly. The lock size is proportional to the distance between the points. For short enough distances the spline line will disappear and leave the polygon side intact to make sure that the lock is not too small. That would make cutting it out with scissors difficult. Once we find the satisfactory geometric parameters, we use them to define the `lock` function:

Next we define a function that will extract from a Voronoi diagram all pairs of points representing the polygons’ sides:

Let’s see how these functions work. We will use `MorphologicalComponents` and a few other image processing functions to color the polygons, now with locks.

This alone could be a puzzle design if not for a few problematic issues. There are some overlaps, some pieces are too small, and sometimes locks appear on the sides with no adjacent pieces. To fix this we introduce an interactive interface where slight discrepancies can be manually fixed. This also provides an excellent tool for adjusting, removing, and adding polygons to achieve the best visual design. I added the ability to overlay the cutting paths over a few photographs I’ve taken over the years:

I enjoy *Mathematica*‘s ability’s to make images part of the code. You can replace them with your own photographs. Please note that the lock and extract functions and variable `iml` need to be evaluated first for the code below to work. You can always add them explicitly in the body of `Manipulate` or via its option `Initialization`.

You can drag polygons around with your mouse and add or remove them with Alt+Click. The interface is self-explanatory, so try various controls. When you like your design you can click the button “copy” to store your work in the clipboard. Then you can paste it into *Mathematica* or any other program that allows printing of images. To take full advantage of the application above, you need to have the free Wolfram *CDF Player* or *Mathematica* installed. Here is the preview of a single piece moved in a circular path through the puzzle. Note how other cells automatically adjust to it.

Now imagine helping your five-year-old solve a small and easy jigsaw puzzle that assembles into his or her favorite vacation moment or pet portrait. I was determined to go beyond pure computer design and into the real world. I used thick printing paper. Photo paper or even gluing an image to cardboard would be better for locking, but harder to cut. Manufactured puzzles are cut with a press, which produces several hundred tons of force, or a laser. I obviously resorted to scissors. It took me half an hour to cut all the pieces out, and I had a bit of trouble dealing with not-thick-enough paper, resulting in improper locking. But at the end it all was well worth the effort. Jigsaw puzzles are well-known for their great recreational value, and even served as escapism during the Great Depression, showing a remarkable number of sales. Here is my handiwork:

And next it is almost done. I used small adhesive tape on the printout back to fix every newly added piece. That helped to improve locking. And I did not look at the box!

Jigsaw puzzles have been around since the 1700s, with many old and modern masters cutting them from wood and showing unique styles in shaping the pieces. And though computers often cannot reproduce natural human art forms, the reverse is also true. A jigsaw master cannot reproduce by hand a Voronoi tessellation, which is quite a beautiful mathematical form.

But does this approach scale toward more intricate puzzles? Now imagine you are a puzzle designer or manufacturer with access to industrial cutting equipment. Then there’s no limit to what is possible with the help of mathematics, programming, and environment as well integrated as *Mathematica*. We can use *Mathematica*‘s native vector graphics objects or export them to other standard vector graphics formats. This allows for magnifying designs to arbitrary dimensions and printing large detailed puzzles similar to complex commercial editions that count thousands of pieces. The most challenging puzzles are monotone-colored, with the uniqueness of the pieces as a consequence of differently shaped locks. To add complexity, some puzzles are double-sided so it is not clear which is the top side of a piece. It would be very easy to design such puzzles with typical grid-like layouts, but we can go further. *Mathematica* covers all sorts of pure and applied scientific fields, and their methods can provide inspiration and tools for puzzle design. Let’s take graph theory as an example and built-in data for a famous fractal called the Sierpiński sieve or gasket.

With two lines of code we can replace the edges of a graph with our spline locks. I will modify our lock function to produce randomly shaped locks similar to commercial puzzles. Not only are the locks randomly tilted now, but their tips are also made randomly convex or concave by introducing an extra spline point. This will greatly reduce the probability of accidentally getting similar pieces.

Adjacent triangles of all sizes are counted as pieces here, so one strategy for assembling the puzzle is to start from larger central pieces. Locks can always be made more sophisticated by adding more spline points. I used graph functionality in this example purely for instructive purposes to show the easy mapping from network and spline objects. Here is equivalent functional programming code that produces a Sierpiński jigsaw puzzle of more than 3,000 pieces as a vector EPS image in a few seconds on an average laptop. Thanks to our growing library of over 8,000 Demonstrations, I could quickly find relevant code courtesy of Peter House.

And so we added to a puzzle the educational merit of naturally teaching the nesting construction of fractal structures. Often when I open a *Mathematica* notebook, I do not know where the adventure will take me—it is so easy to improvise and turn things into an experiment. Have fun designing, playing, and learning!

Download this post as a Computable Document Format (CDF) file.

## 12 Comments

Great post. I see that there are still issues with pieces that are essentially just ‘locks’ at the outside edges. I have the code, so I am sure I can fix this.

Thank you for your comment. Yes, and right below Out[8] image I am giving a few comments about this issue. Basically CDF app was created partly so we can adjust these small discrepancies interactively with mouse. It would also be interesting to address the issue programmatically as you suggested.

This is what this blog should be about! Creative thinking.

Very nicely donne!

I’m thicking of printing one of these myself.

:)

Great post Vitaliy!

I would suggest converting the polygon to Line segments with 2 endpoint’s (i.e. Line[{p1,p2}]) and them using the function defined here http://pastebin.com/PUkEkqMj to delete small edges.

It’s possible too to delete small area polygons.

Great idea Thales, thank you for your comments and sending this code along! I hope our readers can take a look at it too.

A long time ago, I made a jigsaw of the cellular automaton rule 30. As there are 8 possible conditions, there were 8 differently coloured pieces – they could have been different shapes too, so that you couldn’t put a piece in the wrong spot.

This is a very interesting idea. Was implementation done programmatically or manually?

Very cool! We make personalized photo jigsaw puzzles and this rocks our world! Thank you….

The Missing Piece Puzzle Company

http://www.themissingpiecepuzzlecompany.com

This idea will help my blog to improve its content as a beginner. I have blog for jigsaw puzzles also.

This was a great post. I don’t have mathematica but I do have an interest in creating some puzzles with a bit more random nature then just the same piece over and over again. Is this something that can be implemented in an AutoCAD environment?

Thank you, Patrick. I am not sure about AutoCAD, because I work with Wolfram Technologies. But I know that there are many common to both, AutoCAD and Wolfram Language, vector formats, including DXF, SVG, EPS, PDF, etc. Perhaps you could design in Mathematica and export to AutoCAD.